FROM THE PAGE TO THE STAGE

Last year, while leading a tour through England, my students and I had the opportunity to see a powerful, two-man play: The Woman in Black. I had never heard of it, and before leaving, I endeavored to do a little research. I found that the play was an adaptation of a novel of the same name by Susan Hill. The play was magnificent. It was so terribly frightening and thought-provoking that it had my three teenaged students talking about it for days afterwards.

I finally was able to find the novel and read it, more than a year after seeing the play. As I read, I could see the play replaying (no pun intended) in my head, mentally comparing one to the other. I know it appears that I read a lot of literature that has been interpreted visually, but I usually don't. Fortunately, I'm equipped with a vivid imagination, and it doesn't always take a movie to make me "see" the story. Still, when you have, you can't help it.

The novel was short, just 160 pages, and it was very stream-of-consciousness, which I normally don't like. But the story was also very personal and once again frightening. One of the nights I was reading it, I had to put it down because it was late, and I was more than a little scared.

Still, the climax of the novel was nothing compared to the climax of the play, and even a year later, I remember the screaming, the train, and the fear that the play induced in us all.